In Continental Realism Paul Ennis tackles the rise of realist metaphysics in contemporary continental philosophy. Pitted against the dominant antirealist and transcendental continental hegemony Ennis argues that continental thinking must establish an alliance between metaphysics, speculation, and realism if we are to truly get back to the things themselves.

The first dictionary dedicated to Quentin Meillassoux and the controversies surrounding his thought Perfect for philosophers just starting to read his work and for those looking to deepen their engagement, this dictionary defines all of the major terms of Meillassoux's work, prefaced by an introduction explaining his importance for the Continental philosophy scene. A-Z entries explain the influence of key figures, from Kant to Heidegger to Derrida, and define the complex terms that Meillassoux uses. The entries are written by the (...) top scholars in the field of speculative realism, often by those that highlight their own disagreements with him. This is more than a dictionary; this is your invitation into one of the liveliest debates in current philosophy. (shrink)

Ever since the turn of the century aesthetics has steadily gained momentum as a central field of study across the disciplines. No longer sidelined, aesthetics has grown in confidence. While this recent development brings with it a return to the work of the canonical authors (most notably Baumgarten and Kant), some contemporary scholars reject the traditional focus on epistemology and theorize aesthetics in its ontological connotations. It is according to this shift that speculative realists have proclaimed aesthetics as "first philosophy" (...) and as speculative in nature. With speculative realism aesthetics no longer necessarily implies human agents. This is in alignment with the general speculative realist framework for thinking all kinds of processes, entities, and objects as free from our all-pervasive anthropocentrism, which states, always, that everything is "for us." This special volume of Speculations explores the ramifications of what could be termed the new speculative aesthetics. In doing so, it stages a three-fold encounter: between aesthetics and speculation, between speculative realism and its (possible) precursors, and between speculative realism and art and literature. (shrink)